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The Death of Noah Glass

ebook
1 of 1 copy available
1 of 1 copy available

Winner of the 2019 Prime Minister's Literary Award for Fiction

Shortlisted for the 2019 Miles Franklin Literary Award 

The art historian Noah Glass, having just returned from a trip to Sicily, is discovered floating face down in the swimming pool at his Sydney apartment block. His adult children, Martin and Evie, must come to terms with the shock of their father's death. But a sculpture has gone missing from a museum in Palermo, and Noah is a suspect. The police are investigating.

None of it makes any sense. Martin sets off to Palermo in search of answers about his father's activities, while Evie moves into Noah's apartment, waiting to learn where her life might take her. Retracing their father's steps in their own way, neither of his children can see the path ahead.

Gail Jones's mesmerising new novel tells a story about parents and children, and explores the overlapping patterns that life makes. The Death of Noah Glass is about love and art, about grief and happiness, about memory and the mystery of time.


Gail Jones is one of Australia's most celebrated writers. She is the author of two short story collections and eight novels, and her work has been translated into several languages. She has received numerous literary awards, including the Prime Minister's Literary Award, the Age Book of the Year, the South Australian Premier's Award, the ALS Gold Medal and the Kibble Award, and has been shortlisted for the Miles Franklin Literary Award, the International Dublin Literary Award and the Prix Femina Étranger. Originally from Western Australia, she now lives in Sydney.

'In all of Gail Jones's writing, words bump up against images from art and cinema—visual keys to convey what narrative may not.' Saturday Paper

'The Death of Noah Glass is among (Jones's) finest work and I expect it will be among this year's outstanding novels.' Australian

'Jones displays a formidable, eclectic knowledge that she distributes among her characters...an intellectually strenuous entertainment concerned with the nature and loss of senses, of filial obligations and their cost, of the vertiginous role of chance. Jones has challenged herself – and her readers – in another rich and accomplished work.' Sydney Morning Herald

'An oblique and poetic novel... a vivid, unsettling study of mortality.' Sunday Times

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    • Kirkus

      March 1, 2019
      Two orphaned adults try to make sense of their father's sudden death and their own grief.Australian author Jones' (A Guide to Berlin, 2015, etc.) new novel begins with a funeral. The eponymous Noah Glass, a 67-year-old art historian, is dead--found floating in his apartment complex's swimming pool. His adult children, Martin and Evie, come together to mourn their father's death and make sense of a shocking revelation: A famous sculpture is missing, and Noah is the prime suspect. In the aftermath of the funeral, Martin travels to seedy yet historic Palermo, Italy, to trace his father's footsteps and solve the mystery; Evie moves into Noah's apartment and tries to figure out her next steps. They work through their grief apart but together--over grainy Skype calls and through their childhood memories and respective traumas. Weaving together multiple narratives (Noah's, Martin's, and Evie's), the novel sketches a family portrait full of love, loss, and regret. At times, the novel can feel weighed down by the overwhelming number of references to film, art history, and Australian and Italian history. Long stretches of the book seem tedious despite Jones' emotional and stunning meditations on grief, knowledge, and memory. If there are issues with the plotting or pacing, Jones' writing helps take the sting out. She distills complicated emotions and imagery and renders them beautifully: "the incandescent light falling like seawater over their small bent backs" and "clunky air conditioners stuck to their sides like ticks." There are wonderful subplots--Evie takes a job describing films to a blind man; Martin struggles with his ex-wife over their daughter--that are far more satisfying than the crime at the novel's center. The way Martin and Evie traverse their complex relationship in the wake of Noah's death is a particular strength; their journey feels real and earned.A sentence-level marvel burdened with too many layers.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Books+Publishing

      February 22, 2018
      In her seventh novel, The Death of Noah Glass, Gail Jones returns to familiar territory with a narrative grounded in its sense of place and character. Art historian Noah Glass has been found dead at his Sydney home, and his children are devastated. Martin, who also lives in Sydney, is a successful artist in his own right. Evie, intellectually gifted and a savant who can memorise long lists of peculiar knowledge, has abandoned her academic studies and now drifts aimlessly in Melbourne. Thrown together in their grief, the siblings soon rekindle the close but complex relationship they once shared. But when a Sydney detective alerts them to accusations of art theft against their father, the siblings are forced to face the possibility that they did not know their beloved father as well as they thought. As in previous novels, Jones uses culture as a medium through which her characters understand and express themselves, in this case religious art and its history. The novel is rich in historical and aesthetic detail, and Jones is thoroughly knowledgeable of her subject. Told masterfully from the perspectives of three finely drawn characters, The Death of Noah Glass combines an enjoyable escapade involving art theft, mafia conspiracy, romance and a suspicious death with a literary exploration of grief, identity and the power of the past to damage present lives. Fans of Jones will not be disappointed, and new readers should find much to recommend it. Angela Elizabeth is a bookseller, publishing professional and freelance writer

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